Technical and professional writers have attempted numerous
times to define what the technical and professional writing field should consist
of, which aspects it should focus on, and where lines should be drawn before
crossing into other niches like scientific writing. As it stands now, there are
several conflicting points of view. One particular view suggests that there is
a universal language possible and that there can be no room for
misunderstandings if the correct words are chosen.
In the essay “A Humanistic Rationale for Technical Writing”,
Professor Carolyn Miller of North Carolina State University explains that for a
sort of universal language to be possible, it would need to be completely
objective and devoid of any emotional verbiage (17). To be sure, the idea of a
universal language is a view I subscribed to for a time. Believing along the
same lines as Professor Elizabeth Tebeaux of Texas A&M University, that the
only things I needed to learn were simply utilitarian technical writing skills
(823), I imagined that all one needed to thrive in the technical and professional
writing field was a large collection of words and objectivity from the readers,
but I have since learned that much more is necessary if one is to prosper. A
certain amount of psychological insight is useful in identifying the reader and
comprehending their needs and desires, and a competent knowledge of design
basics can really give a project life.
During the time I have worked as an intern with Writers’ Slate publication, I have had the
chance to view some great opportunities available to us. One such opportunity
would be to add an additional technical and professional writer to the
publication team. Typically, technical writing is associated with very concise
language being used to convey a certain concept or idea; however, since the
majority of Writers’ Slate content is
submitted by outside contributors, the technical writer’s role here is
redefined. As the Writers’ Slate intern,
I have spent time drafting acceptance letters, editing submissions, and working
with authors to achieve a final product. My duties also included order
selection of final pieces, a magazine redesign, and a degree of customer
service.
When searching for a technical and professional writer that
will fit Writers’ Slate magazine
best, it is important not to discount the value of humanities experience.
Humanities courses are considered to be those that examine the way in which
humans conduct themselves, such as art, literature, history, and more. Choosing
a technical and professional writer that has been educated in some of these
fields can be immensely helpful for Writers’
Slate, where one person bears responsibility for many varied aspects of the
publication. As Miller once again explains, the technical writer’s success is
based in their culmination of knowledge, both practical and rhetorical, from
all aspects of life (20). Obviously knowledge of language and keen perception
of how plots in literature proceed are necessary, but an understanding of art
and graphic design would make the design of the magazine easier and less
time-consuming than for a writer with little to no experience. For these
reasons and more, there is value in a technical and professional writer from a
humanities department.
Sources:
Allen, Jo. "The Case Against Defining Technical Writing".
Dobrin, David N. "What's Technical About Technical
Writing?"
Miller, Carolyn R. "A Humanistic Rationale for
Technical Writing", "Carolyn Miller Responds", and "What's
Practical About Technical Writing?"
Tebeaux, Elizabeth. “Let's Not Ruin Technical Writing Too:
A Comment on the Essays of Carolyn Miller and Elizabeth Harris”.